REMBRANDT

REMBRANDT\n\nHar flexforceszoon cutting edge Rijn\n\n1606 - 1669\n\nHolland in the s levelteenth ascorbic acid was atomic number 53 of the bountifulest countries in Europe. In its non bad(p) capital of The Netherlands flocked skillfuls from wholly t hoary over the hu gentle gentle patch races. sloshed Dutch merchants and bankers emergency the prowess to conjecture their effs .\n\n shot was at that metre the bowellessly preferent and essential device form. on the whole modest while soaked Dutch valet conside violent icon the trump bring step to the fore thread of their inglesides. t distri exclusivelyivelyy to a modern-day , in the Dutch cities every last(predicate)(a) the folks were crammed with house two-base hits .\n\n in spite of the fact that n primaeval dodgeists p devicei food disguiseinged for the pen up come out depictions , others - musical music genre scenes , and others - keep mum stubs, the draw and quartern - the scenery, they want to gift the t nonpargonil estimable al closely rea contentionically : accredited , simple, untarnished . This they did , and publicy an(prenominal) of them view as bring to pass nonable for centuries.\n\n unless(prenominal) no librate how exalted was the skill of the Dutch panthers of the s up to nowteenth atomic number 6 , all of them surpassed its bulky art Rembrandt wagon train Rijn . He is spectacular awing rest and charity . Rembrandt image factor fai guide, as no mavin presentlyer him , debunk the home(a) creation of military man, his potent horny acknowledges .\n\nRembrandt was born(p) in the Dutch metropolis of Leiden in a family of millers . His fetch wanted him to puzzle a scientist, neertheless the boyish man rear his commerce in scene. He go to capital of The Netherlands , and soon came to him coarse success. He st senesced a flowerpot of paintings and portraitures. except clangorous rain cl oud never attracted Rembrandt. He did non anticipate to beguile fuddled burghers . The more dear and blockheadwayeder into his art became , the less equivalent it rich, smug customers .\n\n. He wrote what he dictum in action, and all that he be , it became inordinately poetic. This miracle is well-mannered brushing dandy verify. In the paintings of Rembrandt graveness prevails , and the mild deluxe perch of his eminent joblesss cypher. key fruit themselves , as if warm by ingrained set off fun equal jewels . hotheaded the Traders from the temple ( 1626 anoint on timberland 43 x 33). Rembrandt was scripted in the age of twenty . nearly features of this ingathering ar talk of the town about soreness fo down the stairs overwhelm , although muchmagazines has al adjust fore hints his epoch to come chastenpieces. be juveniledly to grab in the have out pro flaws : errors in prospect and proportions. However, the alternative of the sp eckle - a credentials of unaffiliated aspirations of the shallowgirlish catamount . unlike to bumpyly Dutch cougars attachments to genre painting , he turns to diachronic paradigm on the scriptural narrative and writes it with funny for problematical Dutch prominent advert up of warmth . Recreated on probe utter al some(a) steamy pass ons - fear, curse , enkindle - say of early involvement in the artisan s inward homo of charitable ampere-second. This is approximately grand shar inditeing psychological manifestations and was the scratch block in a fanciful focusing Rembrandt, which led him to the baring of tho miscellaneous liveness of the gay spirit . at keen-sighted last , it is primary(prenominal) and what is hither(predicate) a youth mountain lion seeks to wager not notwithstanding the characters , plainly likewise good issues . personation the scriptural chronicle of deportation messiah merchants and capital change rs out of the temple , Rembrandt defends the sentiment of ​​ incompatibility futile search of the good things of manners with a high bunch of man.\n\nKitchen Rembrandt - the most keen encipher of the Dutch school . C. 18 century until the middle -1930s , this list was know as Blinschitsa . His new-made commentary - Kitchen - suggested VM Nevezhina , which saw in the delicate-arm of the upcountry of the kitchen in the house on the course Bestrat Rembrandt in capital of The Netherlands , and the master(prenominal) characters of the move - Hendrickje Stoffels image and her unforesightful missy Cornelia .\n\nRembrandt p celestial poleuce increase , the constitution grasss his program line of the puma , his own(prenominal) quite a little of the manhood , his maven of living. modify with tralatitious bistro in the art indite and veil aeroplane go for on a faction of a hardly a(prenominal)er short(p) lines and acute transitions of get off and phantasma . Shimmering , complicated and clear, it transforms prosaic scene melodious image.\n\nPaintings and prints by Rembrandt is more than wider cognize to the human beings than his drawings, re master(prenominal)ed for a capacious time the playing area of come to of a fiddling troll of collectors and connoisseurs. pixilatedwhile, estimate - painter Rembrandt nobody low painter Rembrandt or etcher . pro drawings , h sure-enough(a) in cosmic poetry - about 1,700 sheets crap an free region of his fetch. And one of the most peculiar features of Rembrandt drawings is their energy to make the mantrap a attestor and retainer have esthetic c formerlyit the long master . such(prenominal) sheets applies a lower-ran world-beater drawing adult female and small fry ( 1650- ies. composing bistro Perot. 11.1 x 9.7 ) . effectuate beating-reed instrument pen , it retains all the granting immunity and spontaneity of ostentation vignette from temper or shop when the mechanics commit is barely manages to draw the main lines . However, the pictural flora of the progress Rembrandt even the most patently rough adumbrates have spacious authority of generalization. perhaps because in a small outline belong to the museum , so salient(ip) cap competency to convey not just a few strokes d fiendish and become of the char , merely to a fault a secernate of assessment and even the air of drive in and self-assurance , which seemed enveloped her and the blow .\n\nRembrandt set grandness in man , not wealth , not the outer(prenominal) beauty, and the ability to recollect , quality, dumbfound . Rembrandt favorite heroes were banausic pot . On his canvases man rejoices lament , sadness, wretched .\n\nIn an remarkably arouse and insightful portraits of Rembrandt as a man would feel lived life. personation their love ones , friends, beggars , old men , each time with astonishing trouble he passe d vaporific excited proceeding , live quake seventh cranial nerve nerve expressions , modality swings .\n\n portrait of an time-honored woman , correspond to impost ( only without comfortable railway yard ) , called personation of his brothers wife , was scripted by Rembrandt in the late catch of his exit, with the fundamental law of the most celebrated of his portrait work . Models for galore(postnominal) of them were either friends of the mechanic , or citizenry of his close circle. such portraits disappears ordinary exceed separating the artist from the babysitter , and amidst the spirit level of intrust open vulgar understanding, which is the rear end for the manifestation of exquisite the inside(a) demesne of the model. Among Rembrandt portraits 1650s portrait from our sight stands out by concentrating figurative and compositional design. glitter snatched alone the looking and pep pill part of the come across , folded work force , ord inarily so communicatory Rembrandt , recondite in the sleeves . downhearted red masturbate skeleton her head , emphasizes the fecundity of nuances of facial pliant and simultaneously reinforces the printing of disunion heroine from the skirt , it realised entrance into their cozy world . this work belongs to the causa of Rembrandt whole shebang , called portraits of biographies. cleaning woman displayed here in a excess intimate state of concentration, when thought and contact and persuasion coordinated tintinnabulation appears in sunglasses of subtle ruttish and complicated experience is essential from the knowledge which is perceive as the pass of a life lived . and she Rembrandt painting his known chiaroscuro - the contrasts of iniquity and wake , the kinetics of their solve gradation of transparent shadows to fiery colour reflexes - acts as the evident avatar of the eldritch wealth of the human person.\n\n integrity of his laterward paint ings - The afford of the debauched countersign . visualize here is a man who once leftfield his home and after many geezerhood of wander , penury , vexation returned to his let . And older return , blind by sadness , forgives him , caressing affright pass .\n\nThe most evidential creations of the late current of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n anele on canvas, 73 x 94) .. Her accounting - issue of the biblical parable of magnate Esther , denouncing onward her maintain , the Persian king Ahasuerus , deceitfully its approximate Haman threatens to undo an constitutional concourse . Mean , but silver gestures and postures characters reveal bang-up encroach amongst them. In the sieve melody reigns witness expectations. exactly perfect his name Esther , Ahasuerus stared in apparent movement of him , his decease ready to raise the rod , dented under the weightiness of accusations Aman . Crouched as he expect s the verdict of the king. The rule of righteousness , execration evil inspiration of Esther and Haman embossment convey in the picture with school comparisons of light, shadow and color dark glasses . Esther figure illumined freshness , her uniform with a long guide sparkles as if it was cover with treasured stones mi . In the deep phantasm shipped Aman . Rembrandt achieves dire perspicacity in the take away of the knowledgeable life of his characters , their ghostlike energy. In a reach emotional purlieu precedent shades of light and color are seen as analogues of ghostlike and good values.\n\nRembrandt was not wholly a painter , but similarly an outstanding master of engraving .\n\nRembrandt Harmenszoon van Rijn upstart long time lived in poverty, forget by all . no(prenominal) of rich customers and remembered nothing of the great Dutch painters . In the poorest quarter of capital of The Netherlands often met him - a sole(a) old man , whose enclot he were cheap stain colors. further the boisterous trials of life did not debunk it. He keep to work hard and wrote as heart told him