Attitudes Towards Animals In N :: essays research papers fc

Attitudes Towards Animals in Neolithic and Assyrian TimesAnimals have been viewed polarly by different cultures. This is evident when comparing the w solely painting of a deer incline from the Neolithic period (Gardner, 38) and the reliefs of Ashurbanipal carrying lions and the dying lions from the Assyrian dominated period of the antediluvian near east (Gardner, 56). The deer hunt scene, painted at Catal Huyuk c. 5750 BC, depicts some(prenominal) creation hunting two large deer and one miserable deer. The reliefs, sculpted at Nineveh c. 650 BC, consist of King Ashurbanipal sitting in a chariot and shooting several lions with his bow and arrow, and a close-up view of a dying lioness that has been vista three times by arrows but is equable trying to move. The deer hunt scene shows that prehistorical people had to a greater extent respect for animals than the Assyrian people did partly because the Neolithic people felt that delusion was needed to help with their hunting. T he two works also show that at that place was a large difference in the technology of these two cultures. In addition the Assyrians would sometimes hunt for sport, while the Neolithic people would hunt only out of necessity for food.The deer hunt scene shows the animals as organism stronger than humans, while the lion hunt scene shows the animals as being weak as comp atomic number 18d to King Ashurbanipal. The two adult deer be much larger than any of the humans in the first scene. creation are usually slightly taller than most deer, but here the deer are drawn about twice as tall as the humans. It also takes several humans with weapons to hunt the deer. In the lion scene, all of the lions have been killed or injured by arrows. The only person in the scene with a bow and arrows is King Ashurbanipal. It is apparent that he has shot all of the lions himself, showing his superior strength over the lions. In prehistoric times, undermine paintings of hunting scenes served magical pu rposes By confining them (animals) to the surface of their cave walls, the prehistoric hunters may have believed that they were bringing the animals under their control (Gardner, 28). Also, the humans on the left of the wall painting dont search to be directly involved in the hunt, as the deer are on the right side. It appears that they are doing some sort of dance, possibly a magical dance to help the hunters.