Story-telling in Amy Tans The Joy Luck Club and Mother Journeys :: comparison compare contrast essays

Story-telling in The rejoicing Luck Club and commence Journeys Beginning with Gussie, Maxine Kumins suddenly stage from the anthology Mother Journeys, has a central issue similar to that in Amy Tans The Joy Luck Club the need for transference of stories from beget to little girl. These two works have quite a few similarities, despite the event that they argon tales active very different cultural traditions. Is the cultural discrimination important? Or do these works reflect a universal proposition truth about story-telling surrounded by mothers and daughters? First of all, what are some of the similarities and differences between these works? Like Jing-mei Woo, Rebecca does not learn the full story of her mothers late(prenominal) until her mother has died. The past of both mothers involves children born before the daughter to whom the story is told these earlier children were left behind because of the circumstances in which the mother form herself at that time. In both these instances, the stories are told by others who wish the daughter to understand the mother more fully both stories seem to cut into the daughter a better understanding of herself as well as of her mother. Story-telling may be even more central in The Joy Luck Club, with the stories told as lessons throughout the daughters young lives. But Beginning with Gussie besides demonstrates that the daughters know about their mothers past experiences Tweedie knows the story of the romance between her mother and father Rebecca knows her parents story though she doesnt learn the whole of her mothers story until her mothers death. other similarity is that Gussies reason for telling her story to her granddaughter Tweedie is akin to the reason Ying-Ying decides she moldiness tell her story to her daughter Lena both are concerned about the choices being made by the daughter/granddaughter, choices that they see as alike similar to their own past mistakes. Gussie ends her story to gr anddaughter with And thus, Tweedie, while I cannot spat your reliving my history, I am deeply happy to think that my genes are being handed on. Modified, broadened, no doubt improved upon. (Mother 274, in Mother Journeys) Ying-Ying thinks to herself, as she determines to tell the story of her past to Lena, How can I transmit this world without leaving her my spirit? So this is what I will do. .